Justin Henry Teh

About

If you're hiring a Creative Operations Director, the real question is whether I can run the team when the stack changes. That's the job. Here's how I learned it.

20+ years in graphic design and art direction. 8 of those running creative teams, from 3 people up to about 300 counting a spin-off. I built the SOPs, KPIs, QA, resourcing, the systems that keep work moving once one person can't hold every file.

The useful work starts before anyone opens a file. Most creative problems aren't fixed by grinding harder on the brief. They're fixed by reading the situation: the category nobody questioned, the catalogue nobody looked at twice, the process everyone's just putting up with.

A system people can skip isn't a system, and I've proven it. When someone tried, I let them go and had a replacement in the chair within 2 weeks. The client never saw the gap.

I hold AI to the same standard now. Whether a model takes multiple reference images or just a start and end frame isn't trivia, it's the gap between a demo and a pipeline that scales. So is native audio versus a bolted-on post pass. My pipeline runs brief to delivery; an agent system runs the content operations under it.

I'm not here to run the tools. I'm here to lead the team that does.

Portrait of Justin Henry Teh
McCann WorldgroupCoca-ColaNestléUnileverGlobe TelecomSan Miguel BeerRay-BanNikeKiller LoopAvonTurnitin

Capabilities & Infrastructure

Generative Video & Motion

Veo, Kling, Runway, ComfyUI, ElevenLabs, Higgsfield

Visual Architecture

Midjourney, Flux, Magnific AI, Adobe Creative Cloud, Figma

Agents & Intelligence

Claude Code, Cursor, Hermes, OpenRouter, fal.ai, Wavespeed

Pipeline & Systems

Model Context Protocol (MCP), Asana, Structured Workflows

Trajectory

2025 - Present

Project Manager, Turnitin Creative Account

KDCI Outsourcing

The bridge between KDCI and Turnitin's in-house creative team. Quality assurance every asset has to pass before the client sees it.

2023 - Present

Founder & Creative Principal

Midnight Majestic

Brand identity and visual strategy. Built the AI production workflow used on client work, and Midnight HQ, the agent system that runs it.

2021 - 2023

Creative Director

PeakSupport

Led the corporate rebrand. Set the art direction across internal and external communications through a growth phase.

2019 - 2021

Senior Operations & Design Manager

The/Studio

Ran three teams. 35+ staff directly, about 300 at peak once SUPPLIED!, the spin-off, is counted in. Designed SUPPLIED!'s brand identity. Hired its first data and creative people.

2018 - 2019

Operations & Design Manager

IM Consultant Services

Ran remote operations for a US skincare and industrial portfolio, across a distributed creative team.

2015 - 2017

Associate Client Manager

RR Donnelley

Trained 100+ designers on pre-press, InDesign, and Acrobat preflight. Then ran a design team next to the admin and data unit that produced the business's reports.

2006 - 2015

Art Director

Avon Cosmetics

Art directed the monthly brochure, the company's primary revenue driver, across six categories in the Philippines, Malaysia, Vietnam, and Thailand. Concepts, design, and photo shoots in every category.

2005 - 2006

Art Director

McCann Worldgroup

Campaigns for Coca-Cola, Unilever, Globe Telecom, and San Miguel Beer. Designed the Nestlé Chuckie packaging redesign.

2003 - 2004

Specialist

Globe Telecom

Multimedia and e-learning production.

2003

Visual Merchandiser

Branded Lifestyle Inc.

Eyewear retail for Ray-Ban, Nike's eyewear line, Killer Loop, and the other brands they carried.